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Sometimes it feels we humans are virtually invisible in this society and its cogs of bureacracy. I just visited local welfare office, and received some flak from this cold fish, a bleak blonde woman who had been assigned as someone who makes decisions about the money I get monthly. It was about that one should either leave an application in paper form or have a personal appointment but not both overlapping. Well, it's not my fault if individual officers have different sort of policies; I only followed the instructions I'd received before from Eija S., an elderly woman and a wonderful welfare officer I had earlier on (so they are actually not all like cold, insensitive robots).
I've whined even before here how shitty it is to be unemployed, and submit oneself to the control of state by having to fill all sorts of forms every month. If you're poor, society's pariah class, it seems they want to regulate every move you make. The rich just have a carte blanche. (And if you Americans or any Finns voting for Kokoomus want to comment on this, please don't bother.) - In Finnish.
We Finns are little well-fed pigs living in our Scandinavian welfare state, inevitably limited by our / Scandicentric / Eurocentric / Westcentric views. We are as if automatically provided with food and shelter, are accustomed with all the high standards of living in our politically, economically, geologically and meteorologically safe and stable little country. Wars, natural disasters and people starving to death are something happening only somewhere far away, something we only watch on our TVs. We can only whine about the weather and or any perceived that might endanger the sustenance of our cosy little welfare state.
For someone coming from a Third World country, it might appear that we live in a sort of paradise. But is it really so? There are some sociological theories claiming that when all basic needs, such as food, shelter and necessary monthly income, are provided, people will start to ponder if something else is still lacking in their lives. All material well-being proves not to be enough, something is still missing. Do we need more material things around us, or is the lack of some deeper, spiritual sort?
This is the paradox of the so called high Western standards of living. Interesting, but personally I don't hold my breath for this, Syd having badly lost his marbles already by 1972, so this might be of interest to hardcore Syd fans only.
From Last-Minute Put-Together Boogie Band tape An incredibly rare recording of Syd Barrett, performing live on 27th January, 1972, with the Last-Minute Put-Together Boogie Band, at a show in Cambridge, has recently been unearthed, and plans are underway for a release! Naturally, this news has spread like wildfire and anticipation is huge amongst the legions of Syd fans. Should the release of this show come to fruition (and the people behind it have outline permissions from all concerned to go ahead), it will be a fascinating, historical document for Pink Floyd fans.
The sound on the recording is uneven in parts and will require 'tweaking' in a studio before it will be suitable for release. Any release is therefore some months away. The Last-Minute Put-Together Boogie Band's set consists of 5 blues songs before Syd comes on stage for a long jam ('Number Nine') followed by 3 blues songs/improvs ('Gotta Be A Reason', 'Let's Roll' and 'Sweet Little Angel'). The Hawkwind and Pink Fairies sets on the reel are also reported to be worth hearing. Syd is on stage for 29 minutes in total - the jam 'Number Nine' is around 9 minutes long but segues directly into 'Gotta Be A Reason'.
None of the songs are Syd's or Pink Floyd's. Alan Barrett (Syd's brother who makes decisions on Syd's behalf) was pitched the story of the recording and the hopes to release it, and he has contacted PF Music Publishing to give them the 'OK'.
The story of this recording is interesting, and can be found by visiting: and also. The people behind the release are asking for as many people as possible to email them a one-liner stating 'I support this release', sent to: sydbarrettslostgig at hotmail.co.uk in order to exert extra leverage on the company that they are hoping will release it. Please note that emails will not be answered, and it's an inbox only facility.
This could be a potentially historic release and your voice can help. More news on this as we get it. Date news posted: 19 November 2005. Half asleep most of the time, nearly dozing off. People armoured for winter move on as if in slow motion, their faces empty masks. Brief glimpses of grey daylight out of sub-arctic darkness devouring the frozen blocks of concrete. Sitting in a bus and watching distant necklaces of orangeish light, a man-made Milky Way.
Moonscape as far as eyes can see. Students who speak in rural accents. Silent townspeople. Stoic teenagers hidden beneath their hooded jackets.
Melancholia of these Norse latitudes is like some contagious disease for which there is no vaccination. One pretends being immune, trying to think cheerful thoughts, to remember that summer was a dead bore anyway. This time of the year makes one look inward when there are no external objects to concentrate upon in darkness. Dreams come, and they come in abundance like a carnival projected inside one's eyelids. Dream people, dream buildings, dream towns, dream situations. People long passed away are there like they were never gone, doing absurd things.
A strange play unfolds, full of hidden meanings posted on the walls of subconscious, and something one can't really decipher. Don't try to understand a dream, it always flees away from you. It is a kaleidoscope made of the fragments of your mind Mr.
Sandman eagerly twists around into ever-changing new positions. Hibernating citizens fed by TV's blue milk.
Watching TV, reading newspapers, checking the glaring tabloid headlines while picking up one's groceries in a supermarket filled with other November zombies. Everywhere propaganda: war propaganda, economy propaganda, the EU propaganda, propaganda propaganda; who was dropped from the Idols or Big Brother, who cheated whom; an alcoholic ex-skijumper has beaten up his wife again, a has-been singer has divorced once more; another sex scandal, drug scandal - a fest for voyeurist hypocrites. A month before Christmas, the darkest time of the year. The annual consumer hysteria is just beginning; little children are taught, conditioned, that their happiness depends on all sort of useless stuff they will receive if they play along the rules. Every year Christmas will be burdened with guilt, angst and loneliness; the most tragic time of the year. Memories of broken families and lost loves always loom there over Yuletide. One wants to ignore it all, forget, spit that fat pig Santa Claus in the face and set his miserable beard to flames, desecrate Christmas.
Vomit out all that greasy, fattening junk they want to stuff one with. Better not to think about it now.
After all, it's just three days out of 365. Let it pass like a flu or a teenage acne. Try to think Positive Thoughts TM, though it might be hard as hell when you're dead tired all the time. One would only like to hibernate like they let all the other mammals do, don't they? Only humans have to force themselves to spend their winters awake.
Unlike bears who can comfortably curl up in some cosy and warm cave after having eaten their bellies full. No, we have to wake up every dark winter morning and violently tear ourselves off from our warm, womb-like beds to the angry artificial light and head for our jobs and schools and kindergartens and prison workshops and whatever, only to get back home when it's dark again. We have to keep fit and do our exercises, aerobics and whatever even in the middle of the darkest wintertime when the only natural thing to do was to eat ourselves out of shape and sleep, sleep, sleep.
Life is not fair. (.) This does not concern any of you lucky bastards living in Australia and other sunny, warm places like that; only us sub-arctic dwellers of the frozen, dark Northern hemisphere in this weary, dreary time of the year.
Wrote to me from Austria and requested me to add to links, additionally informing me that: was a psychedelic Krautrock band from Austria. Starting with jazz rock, the band soon switched to their own direction, called 'near Siberia'. Founded 1975, the group was named Ixthuluh since spring 1976. At the beginning enhanced by bands like Can, Gato Barbieri or Gong, they started early looking for their own sound far off from music business. The group bought an old farmhouse in 1977 and changed from the band Ixthuluh to the Kollektiv Ixthuluh. Totally five discs document their work history.
Today the band maybe would be characterized as a jam band. The group disbanded at the end of 1981. Discography: 1976/77: Yes We Are A Jazzband 1978/79: No Money For A Radio 1980: Tea At Two 1981: What's The Name The best album is Tea At Two.
(Excerpt of an review) Two very long tracks dominate the disc. 'Forbidden Fruits' is a song in best old Krautrock tradition, reminiscent of Berlin's Ash Ra Tempel, with a pinch of Pink Floyd. 'The Long Trail To Gila Bridge' is a song without a pattern, the band calls this sound 'off-road rock' - that's right! 'Sittin On My Lonely Chair': only played by drums and electric guitar seems to be a rumbling song of the exercise room at the beginning and evolves to a song full of urgency and expression. There is no feeble song on this album.
On his blog, Max Clarke a.k.a. As someone who subscribes to mailing list (the home of Finnish marginal and eclectic music, among all with most of those folk(s) belonging to the 'New Weird of Finland' movement lauded in and international zines) and has followed what people like are doing, I find this quite interesting. I might argue that what I find myself attracted to in this sort of music (often called 'psychedelic folk' or 'New Weird of.'
) is not the fact that it is created with acoustic instruments but the overall spirit of experimentation that is found there: all those weird sounds and otherworldy ambience. Those are not exactly traditional strumming acoustic guitar by campfire sounds, but something totally creating a world one can call its own. Then, I'm not familiar myself with most of the other artists belonging to this alleged 'new folk' genre, e.g. Devandra Banhart, so I can't really comment this style in general.
Musical 'fashions' repeat themselves in cycles and have a tendency to reflect the general Zeitgeist: in unsure times people obviously have a need to return to the 'roots', to what is 'safe', 'tried and true'. Even then, musical experimentation and seeking for what is 'new' is bound to go on somewhere in the margins. To throw more gasoline in the flames: how much there is that is actually 'new' in current electro(nic) music, and how much of that is only recycling what was already done in the 1980s? Anyway, this seems to me to be another revival of the age-old confrontation between 'authentic', 'natural', 'down-to-Earth' acoustic/rock music and the 'artificial', 'unnatural', 'unauthentic' electronic (dance/listening) music; of which I grew up tired years ago after countless 'it is/it isn't' type of arguments which proved totally unfruitful and counterproductive in the end. Doesn't it only boil down to subjective tastes, personal likes and dislikes?
An artist tries to make most of those instruments and resources at his/her disposal, whether they were acoustic or electric guitars, violins, flutes, kazoos, washboards, Moog synths, Roland's x0x series, MAX/MSP, empty oil barrels or rubber bands. In the end it's creativity that counts, not the means to reach that end result.
Those crazy again on tour in the Bushland! You can see the tour poster. 'Reading Between The Lines' US Tour 2005: CoS appearing with Our Aura Hour starring Kevin Blechdom & Planningtorock (except at shows marked with.): 10.11. USA-West Hollywood, CA - Key Club 11.11. USA-San Francisco, CA - The Independent 12.11. USA-Portland, OR - Holocene 14.11. USA-Seattle, WA - Chop Suey 17.11.
Mika Vainio
USA-Chicago, IL - Abbey Pub 18.11. USA-Washington, DC - Nation 19.11. USA-New York, NY - Knitting Factory 21.11.
CAN-Edmonton, AB - New City Compound. 22.11. CAN-Calgary, AB - Broken City 26.11. USA-Miami, FL - Bang!Music Festival, Bugged Out Tent.
Note: NOTE: THESE MIXES HAVE BEEN REMOVED TO MAKE SPACE FOR NEW MIXES. See for updates.
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